You may be surprised to find that the control of the sound of a room is not really very complicated and can usually be accomplished with inexpensive materials.
The amount of reverberation desired in a room depends on the activity going on. Musicians like fairly long reverberation times; between one and two seconds. This allows them to hear themselves play and enhances the harmonic effects of the music.
Silence is golden, or at least pretty expensive. Commercial recording studios cost hundreds of thousands of dollars to build because they must allow absolutely no sound to enter from a usually noisy urban environment.
A wall of Cobogó bricks provides a perch for climbing plants at the São Paulo Aesop store, designed by the Campana Brothers.
been built at UFSC for the determination of the acoustic impedance of liner samples; on the numerical
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The worst sound leaks will be around doors. Your neighborhood hardware store has the fittings and gaskets to fill these up, sold for weatherstripping but effective for sound too. Some common styles of gasket are illustrated in fig.3.
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Cobogó bricks were initially patented in 1929 in Brazil by 3 engineers, Amadeu Oliveira Coimbra, Ernest August Boeckmann and Antônio por Góis. This interesting new invention was a hollow structural element similar to a “brick material†that allowed light and air to come through.
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